There’s no better way to appreciate the beauty of Maria Grazia Chiuri’s latest collection for Dior than through the details of their making – revealed in a series of films and images of its couture miniatures this season.
Alessandro Michele’s carousel of awkward beauty, set to Maurice Ravel’s Bolero, turned an unexpectedly inward eye on the repetitive nature of fashion, one that seems to dress and undress itself ad nauseam.
The brand’s latest launch of haircare products are a refreshing and necessary change to the way we view haircare, starting with improving the health of the scalp through skincare principles.
Roksanda Ilinčić, a London Fashion Week favourite, showed a collection that cut through the noise of faux feminist drivel, even amidst the chaos of Storm Dennis.
The American designer’s runway show, with its Karole Armitage choreography as creative accompaniment, summoned up a longing for a bygone New York City – one that represents big lights and bigger dreams.
Stefano Pilati’s breathtaking collection of weightless tailoring quietly marked a departure in menswear, paving the way for the fluid tailoring, inspired much by the feminine, that we enjoy today.
If it looks like trashy reality TV, that’s because it is precisely that. The content of the Netflix series is mostly asinine, but it does strike up some trains of thought for a Singaporean viewer.
The house of Versace is at its strongest when its women are sexy, in command, and have their beauty celebrated. Its fall collection used a brash palette of colours and textures to push that vision – and it’s one of the house’s strongest in recent times.
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